Monday, October 29, 2012

The White Tiger




The White Tiger

          Balram Halwai, the protagonist in the White Tiger by Aravind Adiga, uses manipulation and criminal behavior to climb from Indian servant to businessman throughout the novel, and because of that he looks at his acts as justifiable or “acts of entrepreneurship” (9).  In India, each person is born into a certain caste, and Halwai felt the only way to grow along with India was to commit criminal acts. The comparison of the life of an elite and a servant are a constant theme in the novel. “These days, there are just two castes: Men with Big Bellies, and Men with Small Bellies. And only two destinies: eat – or get eaten up“ (64).  The only way to leave those castes is to come into money, but those that come from the Darkness don’t have money. Halwai is intrigued by the rapid growth of India and desperately wants to be apart of it. As the novel goes on you see Halwai step out of his role as servant and descend into a corrupt entrepeneur. He starts his decend with blackmailing the other drivers to get his position as Mr. Ashok’s driver in Dehli, along with no longer sending his family money despite his promotion in salary. Halwai even knows and sees the change in himself,“The tale of how I was corrupted from a sweet, innocent village fool into a citified fellow full of debauchery, depravity, and wickedness“ (189).  I feel this novel correlates with the phrase “he sold his soul to the devil“, because without his evil actions Halwai would still simply a servant to Mr. Ashok.  Even once Halwai has killed Mr. Ashok and began his life as an entrepeneur, he still uses manipulation and criminal acts to continue moving up in the castes of India. He pays off the police to help his business profit, and he accepts the demise of his family “ I have woken up, and the rest of you are still sleeping, and that is the only difference between us. I shouldn’t think of them at all. My family“ (271).  Halwai shares a lot of similarities with the character Salim in Slumdog Millionaire, both characters strive for money and embrace the globalization of India. And through this both characters become as corrupt, if not more than the people who they called boss. They both use murder, lies, and corruption to get the things they want. And their lives most as quickly as the cities they “run.“

 

Globalization in India

A major theme in The White Tiger is the globalization of India.  With this globalization there has been major corruption, and huge lines drawn between the different classes. This is shown throughout the novel as Balram commits crimes to climb through the classes from the "darkness." I found an article about an Indian journalist, Siddhartha Deb, set out to explore the true impact of globalization on his homeland by working undercover in an Indian call center. Throughout his time undercover he uncovers the dark side of Indian Prosperity. 
Undercover in India-beautiful-and-damned

"You have at the very top end of the country ... something like 66 billionaires. And these numbers might be slightly old, but there are probably a few more billionaires since I last checked. But 66 billionaires who seem to have something like 30 percent of the country's wealth. On the other end, you have like 800 million people — over 800 million people — living on less than $2 a day. When you have a country where 40 percent of the children under the age of 5 suffer from malnutrition, it seems to me that these contrasts aren't really healthy. They're not just differences. They are really like living different worlds within the same country."- This is a quote from Deb on the wealth disparity in India and I think that is really illustrates what Balrum is talking about throughout the novel

 This is a YouTube video of Former country director of ActionAid India on BBC Hard Talk discussing the effects of globalization on India.



Wednesday, October 17, 2012

The God of Small Things

           
 In the book The Book of Small Things by Arundhati Roy, the character Velutha embodies the god of small things for his small gifts of kindness and his ability to sacrifice for others. To the twins Rahel and Estha, Velutha offers them small kindnesses every day, and each gift makes him the god of small things in their eyes. He is the father figure that they lack in their childhood for example “It was Velutha who made Rahel her luckiest-ever fishing rod and taught her and Estha how to fish.” (75) He helps Rahel and Estha fulfill their childhood with happiness and memories that a father should give. As Rahel and Estha play he never disrupts or downplays their games, instead he embraces them and lets them enjoy their moments of fun and happiness. He also offers small gifts like a boat “Velutha set the boat up for them. The boat that Estha sat on and Rahel found.” (203) It seems that Estha and Rahel are happiest when they are with Velutha because of the small things he gives them each day. Velutha is also a god of small things to Ammu, the twin’s mother. In one aspect he offers a small gift to Velutha by bringing happiness to her children, but those gifts grow as their relationship does. Velutha gives Ammu the gift of tomorrow, and when they are together they admire the small things in life that they would otherwise ignore like a spider’s web or the silver of a wasp wing. “They grew to love his eclectic taste. His shambling dignity” such a small thing became so beautiful because Ammu shared it with Velutha (321). Velutha is also the God of Small Things because of his ultimate sacrifice; he dies for the sins of others without complaint. He accepts his fate for his love of others. He takes the blame for kidnapping the children and the rape of Ammu despite the deeper passion they shared. Velutha is a character of compassion and a man of small gifts of happiness which makes him the God of Small Things. 

Class Segregation

A major theme in The God of Small Things is the untouchables vs the touchables, and the class segregation. Each character in the novel depicts some example of class tension and cultural boundaries for example the twins' relationship with Sophie Mol, Chacko's relationship with Margaret, Pappachi's relationship with his family, and Ammu's relationship with Velutha. With the class segregation there comes laws that forbid relationships between the touchables and untouchables. When it is come to light that Velutha and Ammu have been intimate, Velutha's own father is willing to have his son killed for his crime. 

 
I found this video on YouTube and it shares clips from the film The God of Small Things along with quotes and images depicting the caste system in India. 

Background on India's Caste System

The caste system in India is an important part of ancient Hindu tradition and dates back to 1200 BCE. The term caste was first used by Portuguese travelers who came to India in the 16th century. Caste comes from the Spanish and Portuguese word "casta" which means "race", "breed", or "lineage". Many Indians use the term "jati". There are 3,000 castes and 25,000 subcastes in India, each related to a specific occupation. These different castes fall under four basic varnas:
Brahmins--priests
Kshatryas--warriors
Vaishyas--traders
Shudras--laborers
 More Information on India Caste System

 


Monday, October 8, 2012

Slumdog Millionaire

            
 The movie Slumdog Millionaire participates in gendered discourses through the character Latika by portraying her sexually available, exotic and passive. The male characters in the film all have a strong presence and character, but Latika is only seen through her interaction with Salim and Jamal. Salim sees Latika as a burden and a sexual desire; he shows disgust towards Jamal’s need to protect her and their friendship. In the scene at the deserted hotel, Latika shows her passiveness when she willingly gives herself to Salim in order to protect Jamal, and further instill Salim’s dominance over her. Throughout the film Latika continues to be a victim to different men, and her only trait desired by men is her sexuality. The scene where Jamal goes to the brothel to find Latika, he looks through a crack in the door and sees her dancing in exotic Indian attire; I believe this scene captures her exotic sensuality. Latika is the damsel and Jamal is her hero/prince throughout the film. I feel that Latika’s character is only defined through her relationship with Jamal, and her constant need for a savior. Latika is the girlfriend of the head mobster of Mumbai, and is treated like a slave and is beaten by him. She moved up from the slums to the riches of Mumbai through her beauty and sexual desire from men, but is never treated with respect or seen as anything more than an object. Latika is exotic and beautiful, but lacks any true depth which is how “native women” are portrayed through gendered discourses. 

I chose this video because it is the video to a song from Slumdog Millionaire's soundtrack, and it also illustrates the eroticism that Latika's character depicts in the film. Just as Latika is portrayed in the film, these women are seen nothing more than sexual desires to the men watching them dance. 

Slums


 Another topic I didn't discuss in the blog above is the slums of Mumbai, and how they are depicted in the film. I find it interesting although it as shown as filthy and decrepit, it also is shown with so much color and so much life. Even in the photo above the hints of blue and orange in a way make it captivating.  I found an article about the slum where the film was shot, and those who live in the slum were not happy about the film or its release. 
 Slumdog Greeting